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Archaeology [Sticky] Archaeology by Prau123

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Are We Entering a New Era of Space Archeology?

 

As the new space race fires up, scientists have proposed an entirely new field — planetary geoarchaeology — to study the imprints and objects humans leave behind. Learn more about how archeologists are digging into the final frontier. Sep 28, 2023 6:00 AM

 
 
Studying footprints on the moon is a component of space archaeology

(Credit: Elena11/Shutterstock)

 

Since the first satellite, Sputnik 1, was successfully launched into Earth's orbit on October 4, 1957, humans have launched more than 5,000 large objects into space.

The list includes satellites, spacecraft, rovers, probes and other scientific equipment. In addition, thousands of fragments produced by accidental collisions or deliberate destruction of original materials exist beyond Earth.

Since the 1990s, space archaeologists have studied this material culture in an effort to preserve it.

“From the human perspective, these artifacts are part of our heritage, and linked to individual and national identities,” says archaeologist Justin Holcomb of the University of Kansas.

Holcomb has focused much of his research on understanding how environmental changes impacted human dispersal thousands of years ago; that is, until he connected his passion for geoarchaeology to humanity’s most recent phase of exploration outside of the planet.

How Is Space Archaeology Advancing?

In a recent study in Geoarchaeology, Holcomb and a team of archaeologists have advanced the field of space archaeology by evaluating the physical and human processes that can alter, destroy, or preserve space heritage on the moon; an endeavor they suggest can also be applied to other places in the solar system. The team coined the term planetary geoarchaeology to describe the new discipline.

“The moon is a very dynamic place, and not everything will stay perfectly preserved forever,” says space archaeologist Alice Gorman of Flinders University, who was not involved with the study.

This could even include the footprints of astronauts who stepped on the moon during the Apollo missions.

“We really don’t know how much these imprints have been preserved,” says Holcomb.

In particular, the influx of meteoroids that hit the surface may have left their own marks, or have churned debris onto the imprints that could otherwise remain unchanged for hundreds of thousands of years.

Another artifact, the photograph left on the lunar surface by astronaut Charles Duke during the Apollo 16 mission on April 21, 1972, has very likely faded due to the intense daytime heat, and solar and cosmic radiation.


Could Planetary Geoarcheology Be the Next Big Scientific Field?

As for the next era of human exploration to the moon, which could begin as early as the mid-2020s, the discipline of planetary geoarchaeology could help to preserve future artifacts.

At the lunar South Pole, for example, frigid temperatures persist all year round in permanently shadowed craters (PSRs). These locations are some of the coldest in the solar system and are targets for astronauts to search for possible water ice that could be buried there.

If safety permits, future explorers could consider leaving behind artifacts in PSRs so that they wouldn’t be exposed to the extreme temperature swings that occur elsewhere on the lunar surface.


 


What Are the Challenges of Space Archaeology?

Like many situations, however, tradeoffs can be difficult to avoid; in this case, the possibility that debris slides due to unstable crater slopes or moon quakes could damage artifacts.

Another big part of planetary geoarchaeology is the potential to study, firsthand, how the space environment can affect artifacts.

“We should be sampling some of this stuff in a controlled manner, bringing it back, and studying it,” says Holcomb.

One of the priorities in such a situation would be to plan strategies that wouldn’t damage heritage because spacecraft exhaust can blast sand, and rover wheels can launch regoliths up to 200 meters away.

“Archaeologists can suggest ways to help minimize damage or destruction to heritage,” says Gorman.


Read More: Space Archaeology Takes Aim at Earth


What Will Archeology Look Like in Outer Space?

Gorman and Holcomb are looking forward to the possibility of archaeologists working with planetary scientists and other experts in the future to discuss issues and work out solutions.

Humans have already left artifacts on 10 different extraterrestrial surfaces, including Mercury, Venus, the moon, Mars and Titan, as well as asteroids and comets. And at least eight spacecraft from seven countries are scheduled to touch down on the moon over the next few years.

Archaeologists could also be part of future missions to visit previous or new landing sites to document and study space heritage. They could also assess the historic, scientific, aesthetic, social, and spiritual significance of artifacts for various communities on Earth.

“We would want to make sure that the diversity of nations and traditions is represented," says Gorman.

Holcomb says he would love to see an archaeologist on the moon during his lifetime; although he admits he would have to ponder the decision if offered the opportunity.

“If there would be safe launches every week, then for sure,” he says, “but in all seriousness if it were me or no one, I would go.”

 

 

 

 

 

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Are We Entering a New Era of Space Archeology? | Discover Magazine

 

 

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Pacific discoveries reveal region’s ancient connections

 

 

 

The village of Pang Pang is like many in Vanuatu. A dozen or so traditional houses, covered in native natangura palm leaves lay nestled between tall coconut palms and mango trees. Led for the first time by Indigenous archaeologists, a dig team at Pang Pang is tapping into the Pacific’s ancient past. Prianka Srinivasan was there to witness something special.

 

 

 

 

 

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Pacific discoveries reveal region's ancient connections (cosmosmagazine.com)

 

 

 

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Majestic Minoan Palace Uncovered at Archanes, Crete

 
 
Minoan Palace Archanes Crete
Artist’s reconstruction of the entrance to the summer place at Archanes, Crete, Greece. Credit: Greek Ministry of Culture

Greek archaeologists uncovered the ruins of a Minoan palace at Archanes, on the island of Crete, which they believe served as a summer residence for the kings and the elite of nearby Knossos.

The Greek Ministry of Culture announced on Thursday that excavations at the site of the “Shinning Palace” added many new facts about the building and completed our knowledge of its architecture and construction.

The most interesting element of this year’s excavations was the discovery of the use of a shiny material, gypsum, for its construction known to have been used at Phaistos and Knossos. Gypsum is a very soft mineral and it can form very pretty, and sometimes extremely large colored crystals.

Minoan Palace Archanes Crete

Excavations at the palace of Archanes. Credit: Greek Ministry of Culture

At the palace of Archanes, it was used as decoration in pilasters and doors creating an image of a shiny building, fit for the Minoan elite.

The Minoan civilization was a Bronze Age civilization of Crete that flourished from about 3000 BCE to about 1100 BCE. Its name derives from Minos, either a dynastic title or the name of a particular ruler of Crete who has a place in Greek legend.

 

Ancient treasures at the Minoan Palace of Archanes, Crete

The Greek Ministry of Culture says that another new element discovered in the excavations was the identification of the point where a fire started, resulting in the destruction of much of the palace.

 

Minoan Palace Archanes Crete
Archaeologists identified the point where a fire started at the Palace. Credit: Greek Ministry of Culture

Also, about 20 large jars containing wine, oil, and even textiles were found gathered together, as well as special vases for perfume and an Egyptian scarab.

In an excavated area, believed to have been a sanctuary, a number of vessels were uncovered, including a crystal vessel, a grey one of incised steatite, as well as fragments of obsidian. Obsidian is a naturally occurring volcanic glass formed when lava extruded from a volcano cools rapidly with minimal crystal growth.

 

Minoan Palace Archanes Crete
A seal was uncovered at the palace ruins. Credit: Credit: Greek Ministry of Culture

Parts of microscopic samples of large vessels have also been found in the sanctuary. Another ritual find was a sea newt, which was an instrument for invoking the deity. Larger sea pebbles, which symbolize the deity’s marine status were also found.

The floors of the building were extremely elaborate with pebble floors, a mosaic of small slates, slate slabs bordered by thin mortar bands, and also clay slabs in one area. On the ground floor there were slabs of hewn ashlars.

 

Minoan Palace Archanes Crete
Credit: Greek Ministry of Culture

The walls, which were preserved at a height of 2 meters, were thinly plastered. Fragments of delicate mortars (red, blue and black) show that they bear frescoes, which, will be carefully removed later.

 

Minoan Palace Archanes Crete
Item representing a Minoan deity. Credit: Greek Ministry of Culture

Archanes was an important city

The importance of Archanes for the Minoans was established last century when Sir Arthur Evans was the first to characterize the site as palatial, declaring that Archanes was likely a Summer Palace for the Knossos kings.

The ancient town near Crete’s capital city, Heraklion, was an important hub in the region during Minoan times. Archaeological evidence indicates that ancient Archanes spread out over the same area as the modern town of Archanes.

The Greek Ministry of Culture announced last April that a new Archaeological Museum in Archanes will be created.

Earlier excavations unearthed features such as ashlar blocks, limestone plaques and blocks, plaster, wood, stucco floor tiles, gypsum, mud bricks, ironstone blocks, blue marble flooring, carved concave altars, frescoes and doorways.

A variety of porphyrite stone lamps, vases, amphorae, cooking pots, cups, lamps, tools and everyday domestic items such as tweezers have also been unearthed at the site.

Many of these ancient treasures will be exhibited at the new museum.

Related: Decoding Linear A, the Ancient Minoan Writing System

 

 

 

 

 

 

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https://greekreporter.com/2023/10/27/majestic-minoan-palace-archanes-crete/

 

 

 

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Archaeologists restore Mexica snake head uncovered in 2022 quake

 

Amidst the damage, the 2022 Mexico City earthquake unearthed a remarkable relic of the city’s past: a giant Mexica snake head, now being restored in its original colors by specialists at the National Institute of Archaeology and History (INAH).

The 500-year-old stone carving was found buried 4.5 meters under a building in the Historic Center, in the ruins of the Mexica (also known as Aztec) capital of Tenochtitlán, after the 7.6-magnitude quake disturbed the ground above it. It measures 1.8 meters long, 1 meter high and 85 centimeters wide, with an estimated weight of 1.2 tonnes.

 

A close up shot of painted stone snake scales
The snake head was painted with black, white, red, blue and ochre pigments. (LANCIC/UNAM)

During restoration work, researchers were struck by the colored pigments still covering 80% of the sculpture’s surface, which make it the best-preserved piece of pre-Hispanic color work found on a carving to date.

“The same mixtures of mud and water that covered it for more than half a millennium, also allowed its stucco to be preserved along with traces of ochre, red, blue, black and white,” the INAH explained in a statement.

 

The restoration has focused on allowing the sculpture to lose its humidity gradually, as rapid drying could damage the delicate colors. For this reason, the snake head is being kept in a sealed humidity chamber, where its dampness can be constantly regulated.

Thanks to these interventions, “it has been possible to stabilize the colors for preservation in almost all the sculpture, which is extremely important, because the colors have helped us to conceive pre-Hispanic art from another perspective,” INAH archaeologist Erika Robles Cortés told Live Science.

 

A close up photo of the eye of a carved stone snake
The snake head is being slowly brought to ambient humidity in a special climate-controlled chamber, to prevent damage to the original paint colors. (LANCIC/UNAM)

Meanwhile, a team led by archaeologist Moramay Estrada Vásquez is studying the sculpture to establish its exact age and symbolism.

“It is possible that it dates from the last stage of the city, that is, it may date from the reign of Ahuízotl or the reign of Moctezuma,” Patricia Ledesma Bouchan, director of the Templo Mayor Museum in the Historic Center, told El Universal.

 

She added that numerous other snake heads have been discovered in the area, reflecting the importance of serpents in Mexica iconography. The Mexica deity Quetzalcoatl is frequently depicted as a snake, although researchers have not yet confirmed that this sculpture represents him.

For now, the sculpture is still closed to the public, as any variation in its microclimate could damage it. But discussions are underway about how best to exhibit it after the stabilization process is complete, possibly as early as next year.

“We are still defining the right place for its exhibition; we must wait to see how the piece reacts and if it will require long-term treatment,” Ledesma said. “In 2024, we may already be able to see it.”

With reports from Live Science and El Universal

 

 

 

 

 

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https://mexiconewsdaily.com/culture/inah-aztec-snake-head-earthquake/

 

 

 

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Ancient temples in Bagan, Myanmar. Source: Kalyakan / Adobe Stock.
 
 

Myanmar’s Bagan Temple City Faces Modern Threats (Video)

 

Myanmar's ancient temple city,Bagan, with its mesmerizing array of over 3,000 temples, stands as a testament to itsrich historydating back to the 11th and 13th centuries. However, amidst this architectural marvel lies a modern peril. A massive earthquakein 1975 led to extensive reconstruction efforts, with some new temples deviating significantly from their ancient counterparts. The situation worsened in recent years, with numerous new constructions springing up, drawing criticism for their stark contrast to the historical landscape. Foreign experts were once involved in restoration efforts, but their involvement dwindled due to political reasons. Instead, a large-scale renovation project commenced, with nearly 2,000 temples rebuilt without adhering to the original designs, arousing accusations of diminishing the sanctity of this sacred site.

 
The country's ambition to secureUNESCO's World Heritagestatus for Bagan further complicates matters, as historians fear it could endorse subpar restoration work. The challenge lies not in proving the outstanding universal value of Bagan but rather in effectively managing and safeguarding the site amidstMyanmar'sincreasing openness to tourists. Preserving the remnants of this once vital 12th-century city becomes an ongoing battle, balancing the spiritual reverence of worshipers and the scrutiny of historians.

 

 

 

 

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https://www.ancient-origins.net/videos/myanmars-bagan-temple-city-0018947

 

 

 

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