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Mysterious jars found in Brazil offer world-changing version of history

 
Mysterious jars found in Brazil offer world-changing version of history

Amphoras had previously been found in shipwrecks across Europe, but never as far away as Brazil

(RPM Nautical Foundation)

 

It has long been established that, in the year 1500, Portuguese nobleman Pedro Álvares Cabral became the first European ever to set foot on Brazil.

And yet, a discovery made off the coast of Rio de Janeiro nearly half a millennium later has threatened to erase this claim and, indeed, rewrite the very history of the modern world.

In October 1982, an American treasure hunter called Robert Marx began exploring Guanabara Bay after receiving a tip-off from a local diver that it contained mystifying artefacts.

In its waters, Marx unearthed a large collection of tall jars, known as amphoras, typical of those used by the ancient Greeks and Romans to carry wine, water, oil and other essential goods on long journeys.

Marx, an author and self-styled underwater archaeologist, concluded that these amphoras must have been carried to Brazil on a Roman ship.

He believed that this ship may have anchored off Rio then been driven by a storm some 15 miles to where the amphoras were found more than 2,000 years later, The New York Times reports.

If true, this would mean that the Romans landed in South America’s biggest country 17 centuries earlier than the Portuguese navigators credited with its discovery.

In other words, it would mean that the Romans were far greater adventurers than was previously thought, and Brazil would have to totally rewrite its recorded history.

Amphoras had previously been found in shipwrecks across Europe, but never as far away as Brazil(RPM Nautical Foundation)

In an interview with the NYT just days after the 1982 discovery, Marx insisted that he was suspicious when he first heard about the amphoras.

The jars were initially unearthed by a diver named Jose Roberto Teixeira in 1976, who recovered two intact specimens from the reef, which is now known as The Bay of Jars.

 

Marx had sought for years to prove that Europeans reached the Americas long before Columbus, so when he was informed about the amphora finds, he thought it was a hoax.

He said it wasn’t until he dived around 90 feet down into the bay himself and saw the vast area strewn with jars, most of which were broken, that he was convinced they were legit.

The marine adventurer told the NYT that he had to dig through the seabed mud with his hands to pull out some of the shards, which were buried up to five feet down.

 

He pointed out that they were encrusted with barnacles and that some were wrapped with coral, citing this as proof the amphoras couldn’t have been planted there because “all coral in that area was killed by pollution 30 or 40 years” earlier.

The authenticity of the jars was even endorsed by experts at the prestigious Massachusetts Institute of Technology (MIT).

According to Elizabeth Will, a then professor of classics at MIT and a specialist in ancient Roman amphoras, the jars were very similar to the ones produced at Kouass, a Roman colony on the Atlantic coast of Morocco that was a centre for amphora-making.

 

Professor Will told the NYT that of the fragments she had studied: ''They look to be ancient and because of the profile, the thin-walled fabric and the shape of the rims I suggested they belong to the third century AD."

Meanwhile, Dr Harold E. Edgerton, a pioneer in underwater photography, personally backed Marx’s professional credibility, telling the NYT that he was “as reliable as they come.”

Dr Edgerton even accompanied Marx on an exploration of the site, equipped with acoustical echoes and long metal rods.

 

Their analysis left Marx convinced that, below the ceramic fragments, they had found the remains of a wooden wreck.

 

Robert Marx (left) was not, in fact, a qualified archaeologist(Omri Linder and Family Album, CC BY-SA 3.0)

The plot soon thickened, however, when Marx sought to obtain permission from the Brazilian government to use sonar and other equipment to fully excavate the site.

 

He insisted that the remains of his hypothetical Roman ship must be buried there, and the recovery of weapons and other relics would irrefutably prove the age and origin of the amphoras.

However, this permission wasn’t granted and, three years after the discovery of the jars, Marx was banned from entering Brazil.

The prolific writer accused the country’s navy of deliberately scuppering his investigations, claiming that they even dumped a layer of silt on the remains of the Roman ship so that it couldn’t be found.

 

He said the tables turned in January 1983, when he returned to Brazil with the aim of salvaging the wooden wreck.

''The Navy people I worked with told me the Navy had covered up the site to keep it from being plundered,'' he said. ''They also said this thing is causing so much controversy, it's better if you leave.''

The adventurer said he ignored their warnings and got back into the water.

 

But when he approached the spot where the objects had been, he saw that it had been covered by a large mound.

Marx said other Government officials then told him: ''Brazilians don't care about the past. And they don't want to replace Cabral as the discoverer.''

Naturally, the Brazilian navy furiously refuted these allegations, insisting that it hadn’t covered up the site, and that Marx had been barred from its shores for very different reasons.

It charged the American explorer with pilfering artefacts from shipwrecks in the country, even producing a catalogue taken from an auction held in Amsterdam in 1983 which proved that Marx and his associates had put gold coins, instruments and other treasures up for sale.

 

Underwater exploration was banned in Brazil's Guanabara Bay following the Marx controversy( Leandro Neumann Ciuffo/Flickr)

Further fuelling the scepticism against Marx, a wealthy businessman named Americo Santarelli claimed the amphoras as his property.

He admitted that he had once taken such a liking to some ancient Sicilian amphoras that he ordered a potter in Portugal to make exact replicas.

To ''age'' the jars, he dropped 16 of them into Guanabara Bay in 1961, but confessed that when he eventually sought to retrieve them, he was only able to find four.

This admission, along with further criticism of Marx’s work, largely discredited his theory of Ancient Rome’s discovery of the New World.

But given that Brazilian authorities placed a blanket ban on all underwater exploration in light of the controversy the mystery remains, in many people’s eyes, alive and unsolved.

 

 

 

 

 

 

 

 

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https://www.indy100.com/science-tech/guanabara-bay-roman-jars-2668128144

 

 

 

 

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Mysterious Easter Island Engravings Question When Writing was Invented

Recent findings support the theory that Easter Island locals may have developed writing before the arrival of Europeans.

 
Mar 8, 2024 8:00 AM
 
Mar 18, 2024 12:31 PM
 
 
Easter Island statues

(Credit: Alberto Loyo/Shutterstock)
 

Up to half a century ago, researchers established that writing originated in Mesopotamia in the fourth millennium B.C., and spread to the rest of the world, adapting to different languages. Since the 1970s, however, the decipherment of Maya and further discoveries has suggested that humans invented writing not once, but four separate times: in Mesopotamia, Egypt, China, and Mesoamerica.

In a recent study published in Nature, researchers at the University of Bologna in Italy have dated the wood of an ancient tablet from the isolated island of Rapa Nui (also known as Easter Island) to before the arrival of Europeans, providing indirect evidence of a possible fifth independent invention of human writing.

“This would be a preliminary but fundamental step in understanding how many times human beings reached the revolutionary invention of writing,” says Silvia Ferrara, co-author of the study and philology professor at the University of Bologna.

The Easter Island Rongorongo Tablets

The tablets of Rongorongo, which have yet to be deciphered, have attracted scholarly interest since the arrival of Europeans in Rapa Nui because of its seemingly isolated development. Its symbols represent human figures, body parts, tools, plants, animals, and celestial bodies. Though it’s not similar to any other known script, several elements, including linear sequences, ligatures, and evidence of corrections would suggest that it is a proper language.

Rapa Nui was first settled by Polynesians between A.D. 1150 and 1280, where they developed a culture that today is most often represented by the iconic moai statues, megaliths sculpted in the shape of giant busts. They also developed a local script, called Rongorongo.

European seafarers landed on Rapa Nui in the 1720s, and around a century later began raiding and kidnapping the locals. By the end of the 1800s, the Rapa Nui culture had been erased. Only 27 tablets of Rongorongo – about 17,000 glyphs altogether – survived, taken abroad by missionaries in the mid-19th century. Four of the Rongorongo tablets made their way to the Congregazione dei Sacri Cuori di Gesù e di Maria, in Rome, Italy.

“Out of the 27 tablets which are scattered all over the world, the tablets in Rome are very significant because they have a lot of content – a lot of written text, on them,” explains Ferrara.


Dating the Rongorongo Tablets

Ferrara has been researching two main questions regarding the Rongorongo script: whether the script was invented independently of influences from cultures that were already writing – in other words, whether the people of Rapa Nui were writing before the arrival of Europeans – and to what extent the script can be deciphered.

It was Sahra Talamo, co-author of the study, chemistry professor at the University of Bologna, and director of the Bologna Radiocarbon Laboratory devoted to Human Evolution (BRAVHO), who suggested radiocarbon dating the wood of the tablets in Rome.

“I thought it was impossible,” Ferrara admits, “I thought the Congregazione would never give us the authorization to do so, because radiocarbon dating is quite a destructive technique. But they did give us the permit!”

“Radiocarbon dating is the only great dating technique that goes back to 55,000 years ago,” Talamo explains. "And the BRAVHO lab always strives to minimize the impact of our analyses by using minimal samples whenever possible.”

Before extracting the wood for the dating technique, the team also created the first-ever 3D models of the four Rongorongo tablets in Rome using a laser scanner.

Interestingly, the radiocarbon dating yielded a very early date for the wood of one of the four tablets: about A.D. 1450, which in fact precedes the arrival of the Europeans by over 200 years.


Dating the Rongorongo Script

There is a catch, however. Just because the wood of the tablet dates to the 15th century doesn’t necessarily mean that the Rongorongo script was carved into it at the same time.

“The dating of the wood doesn’t mean that we can actually date the synchronic composition of the text, but the burden of proof is on anybody that claims that the actual text was written much later than the wood felling date,” Ferrara explains.

Both researchers postulate that the tablets were inscribed shortly after being cut from the tree.

“We dated exactly the moment when the tree was cut. It's crucial to consider that with the passing months, days, or even years, if the tree isn't well-preserved, it could dry out, rendering the wood impossible to use for writing," Talamo adds. “So it is probable that the script was made around the same time, or not too much later.”

If the Rongorongo script was created before the arrival of Europeans, that would make it the fifth time in history that humans developed an independent writing system: a truly enlightening discovery, given that just half a century ago experts believed that humans had invented writing just once.

While the researchers are cautious in claiming this just yet, Ferrara is hopeful, “If human beings invented a writing system independently four times, the question is, why not more? Indirect evidence points in that direction.”

 

 

 

 

 

 

 

 

Article

 

 

https://www.discovermagazine.com/the-sciences/mysterious-easter-island-engravings-question-when-writing-was-invented

 

 

 

 

 

 

 

 

 

 

 

 

Exploration Mysteries: Rongorongo, the Hieroglyphics of Easter Island

 
 

Because of Easter Island’s remote location at the edge of the Polynesian Triangle, historians have been unable to put together a clear picture of the island’s original inhabitants. This enigmatic culture includes a script called Rongorongo, which linguists have been trying to decipher since the 1800s. 

A culture in crisis

The word Rongorongo means “to recite, to declaim, to chant out” in native Rapa Nui. Discovered on Easter Island in the 19th century, it remains the only ancient writing system found in Polynesia. The script itself consists of around 120 symbols drawn from nature, ranging from fish to plants and vegetables. It has over 450 variants, and these can be further expanded into thousands of compound symbols.

Researchers have managed to make out certain characters like sea turtles, centipedes, trees, men, and possibly deities. Supposedly, Rongorongo’s symbols go from left to right and bottom to top. As to what the writing means on the various tablets on which they are found, we still do not know. 

 

rongorongo script

Rongorongo symbols. Photo: Sebastian Englert in ‘Island at the Center of the World’ (1970)

 

These symbols were etched by sharp objects such as shark teeth into wooden tablets. Twenty-five of these tablets remain today. They are not uniform and vary greatly in shape. You can find them in local and international museums such as the Museo Rapa Nui and the Ethnological Museum in Berlin.

Despite the lack of information and mystery surrounding Rongorongo, historians agree that it was probably reserved for the higher, more literate classes in society. The main literate group was the priestly class. The Rapa Nui people mostly relied on oral tradition.

We can also deduce that Rongorongo was reserved for more important purposes like religious ceremonies rather than day-to-day life. Part of the reason for the mystery behind this language is that the inhabitants of Easter Island were wiped out or taken by Peruvian raiders and diseases. Then, as Christianity spread among the small local population, Rongorongo’s relevance diminished. Thus, any knowledge of this language remains severely limited. 

The quest for answers

The mention of a native writing system appears in several Western accounts. French missionary Eugene Eyraud, the first Westerner to settle on the island, described wooden tablets in local houses. However, he noted that they did not know how to read the hieroglyphs inscribed on them. 

symbols

Symbols of Rongorongo. Photo: omniglot.com

 

The first to attempt to crack this code was the Bishop of Tahiti, Florentin-Etienne Jaussen. Having received a Rongorongo tablet as a gift, he tried to enlist the help of natives to translate the symbols for him. They refused. Either they wanted to keep this piece of their culture a secret or they simply no longer knew the meaning. It is very possible that those who understood Rongorongo simply died out or left the island. 

Theories

Many have attempted to decipher the language since then, including Nikolai Butinov, German ethnologist Thomas Barthel, British archaeologist Katherine Routledge, and linguist Steven Fischer.

Barthel, in particular, made the biggest contribution toward deciphering Rongorongo. He cataloged the tablet writings and determined that the first few lines of one tablet were in fact a lunar calendar.

Katherine Routledge, the first archaeologist on Easter Island, conducted several interviews with locals about oral traditions. She determined that Rongorongo was mnemonic in nature.

Most recently, Steven Fischer claimed to have solved it. While Fischer’s book Rongorongo: The Easter Island Script is the most comprehensive study of Rongorongo to date, it is not widely accepted, due to supposed flaws in his linguistic analyses.

Some believe that Rongorongo resulted from “transcultural diffusion.” This means that the islanders were inspired by their interactions with Europeans, who had their own structured language and alphabet. They suggest that the Rapa Nui created their own form of communication after this exposure.

Most historians believe that Rongorongo is an example of proto-writing. This is a pictographic form of writing which focuses more on ideas than actual words. Other examples of this include prehistoric cave paintings and Sumerian script. It would explain the symbols’ lack of apparent meaning. 

Conclusion

While Rongorongo continues to stump academics, some things remain certain. Rongorongo held great significance in Rapa Nui society. It most likely had religious significance, and its symbols reflected the Rapa Nui’s cultural worldview: the importance of the natural world, the celestial realm, and gods.

 

Kristine De Abreu

Kristine De Abreu is a writer at ExplorersWeb.

Kristine has been writing about Science, Mysteries and History for 4+ years. Prior to that, Kristine studied at the University of Leicester in the UK.

Based in Port-of-Spain, Kristine is also a literature teacher, avid reader, hiker, occasional photographer, an animal lover and shameless ramen addict.

 

 

 

 

 

 

 

 

 

Article

 

 

https://explorersweb.com/exploration-mysteries-rongorongo-the-hieroglyphics-of-easter-island/

 

 

 

 

 

 

 

 

 

 

 

 

Mysterious Easter Island Glyphs Suggest a One-of-a-Kind Language

 
 
 
 

If you thought the rongorongo language was younger than English on Easter Island, you’d be wrong-o, wrong-o.

That’s centuries older than previously thought.

Before the discovery, all available evidence showed rongorongo dated to around the 18th century on Rapa Nui (or Easter Island). But it now looks like rongorongo is much older. It may be one of the few independently invented writing systems on Earth.

 

Results of radiocarbon dating produced the updated perspective. The University of Bologna’s Sylvia Ferrara led a study published Feb. 2 in the journal Scientific Reports. The work focused on one of four rongorongo tablets preserved in a collection in Rome.

Ferrara’s team found that the artifact dates to between 1493 and 1509 — over two centuries before records show the first European arrivals on Rapa Nui in the 1720s.

Rongorongo remains undeciphered, and its origins have long been compromised — not only by the obscurity of the language itself but by its displacement. While Europeans landed on Rapa Nui in the 1700s, they reportedly didn’t notice the language until 1864. They transferred several examples to nearby Tahiti, where an official shuttled them to Europe.

The glyphs now exist on only 27 objects, none of which are located on Rapa Nui.

That’s ironic for a language that could be one of the world’s only forms of writing created without outside influence. The nuances and mechanisms that drive human communication — and especially the synthesis of it — are complex to say the least.

 

easter island moai

Easter Island. Photo: Shutterstock

 

But, as Ferrara told LiveScience, “historically speaking, if you borrow a writing system, then you keep it as close to the original as possible.”

Results inconclusive

Take one look at rongorongo and you won’t find many similarities between it and the English alphabet. Ferrara said linguists have recognized more than 400 different rongorongo glyphs among the roughly 15,000 surviving characters. None correspond to any known writing system.

The gap in the research is that while it’s possible to know how old the wood is, there’s no way to tell how old the inscriptions are. Ferrara called it “unlikely” that the piece of wood lasted hundreds of years before the scribe performed the work.

Rafal Wieczorek, a University of Warsaw chemist who was uninvolved in the study but has performed separate work on rongorongo tablets, told LiveScience that the data wasn’t conclusive, but was encouraging.

“I actually believe that rongorongo is one of the very few independent inventions of writing in human history, like the writing of the Sumerians, the Egyptians and the Chinese,” he said. “But belief is a different thing than hard data…so ideally, we would like to test all the tablets.”

 

 

 

 

 

 

 

 

 

Article

 

 

https://explorersweb.com/easter-island-language-rongorongo/

 

 

 

 

 

 

 

 

 

 

 

 

 

The Rapa Nui hieroglyphs has not been deciphered yet suggest to me that this language was probably used exclusively to a certain group of people on Easter Island such as the people who constructed the Moai statues and the noble family members? 

The surviving remaining few Easter Islanders today probably could decipher it but their population and history has been severely reduce for several centuries.  Since not a single character on the Rongorongo tablet could be interpreted is rather surprising considering 85% of the hieroglyphs found in Mayan culture has been deciphered. 

 

 

 

 

About 85 percent of the known Maya glyphs have been deciphered, but there is still much more to learn. Find out about the Maya codices and other books. Links and images illustrate this unique system of writing.

 

 

 

 

 

 

 

 

 

 

Easter Island is remotely distant to the next Pacific Islands and Chile in South America which allowed them to develop their own language independently however they were making transpacific migrations to those places and yet no one adopted their writing system and Moai construction building methods.

 

 

 

How close to other islands is Easter Island?
 
 
Its closest neighbors are the tiny Pitcairn Islands (some 1,200 miles away), while the nearest continental point is Chile, which is 2,200 miles to the east — or five hours by flight. Map of Easter Island, or Rapa Nui. Despite its extreme seclusion, most people know of Easter Island for one reason: the moai sculptures.

 

 

 

 

 

 

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Treasure Signs, Symbols, and Petroglyph Maps

 

 

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Treasure Symbols #1

 

This is one of a planned series on the analysis and interpretation of various symbols from the field.

As important as answers or ideas about what IS a treasure symbol and what it might mean is to recognize the VERY many things that are NOT treasure symbols.

 

While this end of this article delves into possible native American influences to the crafting of the meaning of some treasure symbols, it is a constant disappointment to the author when he finds defaced Native petroglyphs in the field. Folks, 99.99%+ of petroglyphs you’ll find have nothing to do with hidden treasure, and you should not be destroying petroglyphs anyways – that’s just arrogant and greedy.

So, let’s take a look at a few classics: the “X” and the Cross.  In this case, the Cross could be a symmetric one, and really could just be viewed as the X rotated by 45 degrees.  Here’s a petroglyph from southern New Mexico, along an area of ancient travel with probably the highest concentration of literal big Dolmen-style trail markers the author has seen anywhere:

 

 

The Cross-X glyph in the image is on a big rock at a natural crossroads with a lot of other obviously much more modern markings, including the “B” in the image as well as a bunch of cowboy petroglyphs of variations on the local ranch’s cattle brand.  According to a number of resources that all have a substantial codex of treasure symbols, the summary of possible straightforward meanings is:

 

Xcross_Symbols

 

In addition to the interpretations from Mahan and Kenworthy, it is notable that Spanish Eight Reales Silver coins feature a prominent equilateral Cross – so it’s not a huge logical stretch to think that an equilateral cross could be common shorthand for large-denomination currency.  So, an equilateral cross may mean Silver (coins) or Church treasures if that’s how you want to view it.  Of note is that there are several equilateral crosses and X’s on the supposed Doc Noss treausre map that’s included on the inside book jacket of the Gold House series of books by John Clarence.

Also interesting is the commonality of the interpretation of treasure symbols among available resources.  Where and when is the origin of these symbols?  Of the four resources consulted for this article, the following three have almost identical content, or share at least one main section with almost identical content:

While a third is more unique in regard to it’s overall content (Kenworthy’s explanations and themology seem the most imaginative, however):

There is some overlap with the above symbols with the “windlass” symbol and with general trail markings other than the “in line with…” type, as well.

 

 

When the Spaniards first started stomping around in the new world, some of the earliest hauls came from South America.  A book by Harold T. Wilkins, Mysteries of Ancient South America, delves into the commonality of glyphs found in South America and those located in many other ancient civilizations around the world.  Whether the Spanish picked up some of the symbology and decided to use it for treasure-related markings later is possible, or perhaps Mr. Wilkin’s work was just tapping into and illuminating some ur-forms that happen to pop up over and over again.  In any event, here are few consistencies from that work to provide fodder for some additional discussion later:

SouthAmericanSymbols

 

Here, Wilkins notes that the regular asymmetric cross may have some farther connection with the number 4 or the letter k.  He also gives some very specific meaning to some common-themed native American glyph forms.  The crows-foot, hunched-back figure, and eye or sun forms are common symbological elements, and studying their supposed ancient form may eventually lead to deeper insight into their culturally cross-cutting or adopted (in the context of treasure and trails) meanings.

 

 

 

 

 

 

 

 

 

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Treasure Symbols #1 – LOST ADAMS GOLD

 

 

 

 

 

 

 

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Discovering a Hidden Oasis in a Remote Desert Canyon

 

 

 

 

 

 

 

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Spanish Treasure Cache in the Rockies and Geology of Sandstone

 

 

 

 

 

 

 

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