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Archaeology breakthrough as 1500-year-old findings cast new light on 'Snake Kings'

EXCLUSIVE: Archaeologists say newly discovered stucco reliefs in Mexico provide valuable insights into Kings' ancestors who "inhabit the sky".

07:01, Sun, Nov 3, 2024 | UPDATED: 10:35, Mon, Nov 4, 2024
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Dzibanché Archaeological Zone in Quintana Roo

Archaeologists say they have gained new insights into the Maya 'Snake Kings' (Image: Dzibanché Archaeological Zone in Quintana Roo)

Archaeologists say they have gained new insights into the Maya 'Snake Kings' who ruled parts of Mexico, Belize and Guatemala around 1,500 years ago.

They say newly discovered stucco reliefs at a site that may have been linked to human sacrifices show the 'celestial ancestors' of the Kaanu’l dynasty. Dynastic snakehead emblem glyphs at other sites also refer to these so-called Snake Kings and Queens.

This once-powerful dynasty became a dominant force - rivalling the equally powerful city-state of Tikal. It's thought that these 'Snake Kings' even managed to defeat and control Tikal at various points in history.

Close up of one of the Stucco reliefs

The Stucco reliefs have surprised archaeologists (Image: INAH)

The Kaanu’l are best known through inscriptions and archaeological discoveries at Calakmul, near the Guatemalan border, and other sites - where the stories of these rulers were documented in hieroglyphic texts. Now, archaeologists have found new evidence of the Snake Kings, at the Maya city of Dzibanché, in Quintana Roo, Mexico.

The stucco reliefs are believed to be the Early Classic period - around 500-600 AD - which is potentially towards the end of the Kaanu’l dynasty's 400-year reign. The three scenes formed part of the platform for a Maya ballcourt, where the city’s inhabitants would have played a ceremonial ball game - which archaeologists say were sometimes linked to human sacrifices.

The King’s year filled with family health challenges

It's thought a central part of the displays may have been removed at a later date, by the city's residents, presumably after the dynasty collapsed in approximately 650 AD.

The National Institute of Anthropology and History (INAH) said in a statement that the discovery offers “new insight.” A spokesperson said the scenes gave "new clues about the power of the Kaanu'l".

Archaeologist Sandra Balanzario

Sandra Balanzario said archaologsist did not expect to find the reliefs (Image: INAH)

The INAH statement reads: "The first scene shows two guardians who surround a pedestal on which, in pre-Hispanic times, a sculpture must have been placed; the particularity of the podium is that it incorporates glyphs alluding to a ruler of the Kaanu'l dynasty.

"In the second, there are images of individuals who - according to the epigraphist and independent contributor to Promeza in Dzibanché, Alexander Tokovinine - allude to ancestors who seem to inhabit the night sky, with stars, snakes and other motifs typical of Mayan and Teotihuacan iconography.

"In this relief, the absence of a central sculpture is also noticeable, so it is not ruled out that the two missing effigies were removed, centuries ago, by the city's own inhabitants. Meanwhile, the third scene shows a set of mythological animals associated with constellations."

Archaeologist Sandra Balanzario Granados, head of the Archaeological Site Improvement Program in Dzibanché, said: "This is a great finding for us. Although we had [found] stucco reliefs on larger buildings, we would never have thought of finding such decorated façades on a ballcourt with such profound meanings as these ones apparently have.”

 

Another of the reliefs

The reliefs also depict mythical animals (Image: INAH)

Archaeologist John W. Hoopes is a full professor in the Department of Anthropology at the University of Kansas and an expert in the pre-Hispanic indigenous cultures in Latin America. He told The Express: "There are clear associations of ballcourts with sacrifices. The Kiche’ creation story in the Popol Vuh makes direct references to ballgames and human sacrifice.

"In 378 CE, a group of warriors from Teotihuacán in central Mexico entered the Maya lowlands and successfully overthrew the leader of Tikal. Several Maya sites now show that their royal dynasties had ties to Teotihuacán.

"Snake imagery is common at both Teotihuacán and in the Maya area. The sky imagery is especially interesting because both cultures were interested in astronomy. Animals were significant for both. The sky was regarded as Xibalba, the Underworld.

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"Dzibanché was an important early centre for the origin of what became the ruling dynasty of Calakmul, a rival city of Tikal."

But what did INAH mean by "ancestors who seem to inhabit the night sky"?

Professor Hoopes said: "One interpretation is that Maya kings became celestial objects after they died: the Sun, Moon, Venus, Mars, etc. The Maya king going into the sky is the theme of the Sarcophagus Lid at Palenque."

 

 

 

 

 

 

 

 

 

 

 

 

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Archaeology: Reliefs cast new light on 'Snake Kings' | World | News | Express.co.uk

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Archaeological discovery reveals hidden history of Mayan “Snake Kings”

Newly discovered reliefs at Dzibanché depict celestial ancestors of the Kaanu'l dynasty.

 Dzibanche, Building 1, Temple of the Owl. (photo credit: Arian Zwegers is licensed under CC BY 2.0. Via Wikimedia Commons)
Dzibanche, Building 1, Temple of the Owl.
(photo credit: Arian Zwegers is licensed under CC BY 2.0. Via Wikimedia Commons)
 

Archaeologists have uncovered new stucco reliefs at the ancient Maya city of Dzibanché, providing fresh insights into the Kaanu'l dynasty, also known as the "Snake Kings," who ruled parts of Mexico, Belize, and Guatemala around 1,500 years ago. The National Institute of Anthropology and History (INAH) reported the discovery of three Maya frescoes during rescue work at the site, which represent important iconographic symbols of the ancient Maya culture.

The stucco reliefs are believed to date from the Early Classic period, around 500-600 AD, potentially towards the end of the Kaanu'l dynasty's 400-year reign. The reliefs were made with artistic precision that demonstrates the high level of Mayan civilization and were created using a mixture called sascab, formulated from lime. Professionals determined that the reliefs have preserved traces of blue, yellow, red, and black paint to this day.

Each of the three reliefs offers a vision of the mythological and celestial beliefs that motivated the Maya reign. The first relief shows two standing figures guarding a pedestal with symbols referring to an important Kaanu'l leader. According to the INAH statement, "The first scene shows two guardians who surround a pedestal on which, in pre-Hispanic times, a sculpture must have been placed; the particularity of the podium is that it incorporates glyphs alluding to a ruler of the Kaanu'l dynasty." The pedestal lacks a central statue, suggesting that the figure may have been removed by the city's residents in ancient times. The INAH added, "In this relief, the absence of a central sculpture is also noticeable, so it is not ruled out that the two missing effigies were removed, centuries ago, by the city's own inhabitants."

The second relief represents deities in a cosmic environment, surrounded by stars and intertwined serpents. The INAH statement continues: "In the second, there are images of individuals who—allude to ancestors who seem to inhabit the night sky, with stars, snakes, and other motifs typical of Mayan and Teotihuacan iconography." This relief emphasizes the intrinsic connection of the rulers with the figures they venerated. The last scene depicts several mythological animals related to constellations, with snakes intertwined throughout. The INAH concludes: "Meanwhile, the third scene shows a set of mythological animals associated with constellations." The third relief reinforces this connection and delves into the esoteric union through the use of mythological animals and constellations.

Archaeologists also discovered a ball court during excavations at Dzibanché, similar to those found in all Maya cities and likely intended for a ritual and quite violent game. Sandra Balanzario Granados, head of the Archaeological Site Improvement Program in Dzibanché, said, "This is a great finding for us. Although we had [found] stucco reliefs on larger buildings, we would never have thought of finding such decorated façades on a ballcourt with such profound meanings as these ones apparently have." Researchers believe these ball courts were intended for a ritual and quite violent game, and archaeologists say the ceremonial ball games were sometimes linked to human sacrifices.

The Kaanu'l dynasty became a dominant force, rivaling the equally powerful city-state of Tikal. It is thought to have defeated and controlled Tikal at various points in history. The stories of the Kaanu'l rulers were documented in hieroglyphic texts, providing insights into their reign and achievements. During this period, Maya rulers were considered celestial representations of the gods on Earth. The constructions were used to reaffirm the rulers' importance, both physical and divine.

Professor Hoopes explained, "In 378 CE, a group of warriors from Teotihuacán in central Mexico entered the Maya lowlands and successfully overthrew the leader of Tikal. Several Maya sites now show that their royal dynasties had ties to Teotihuacán." Snake imagery is common at both Teotihuacán and in the Maya area. "The sky imagery is especially interesting because both cultures were interested in astronomy. Animals were significant for both. The sky was regarded as Xibalba, the Underworld," he said. The stucco reliefs at Dzibanché incorporate these themes, showing the deep mythological and celestial beliefs that motivated the Maya reign.

"One interpretation is that Maya kings became celestial objects after they died: the Sun, Moon, Venus, Mars, etc. The Maya king going into the sky is the theme of the Sarcophagus Lid at Palenque," Professor Hoopes added. A spokesperson for INAH said the scenes gave "new clues about the power of the Kaanu'l." The invaluable importance of these designs lies in what they represent: scenes of the powerful Kaanu'l dynasty. The discoveries at Dzibanché offer a vision of the mythological and celestial beliefs that underpinned Maya society and provide new insights into the Kaanu'l dynasty's influence and connections.

Dynastic snakehead emblem glyphs at other sites also refer to these so-called Snake Kings and Queens. The Kaanu'l dynasty is thought to have defeated and controlled Tikal at various points in history. The stories of the Kaanu'l rulers were documented in hieroglyphic texts, providing insights into their reign and achievements. It is thought a central part of the displays may have been removed at a later date by the city's residents, presumably after the dynasty collapsed around 650 AD.

Maya ballcourts served as venues for athletic and religious events, symbolizing regeneration and the continuity of Maya existence, with ceremonial games played at Dzibanché. Professor Hoopes stated, "There are clear associations of ballcourts with sacrifices. The Kiche’ creation story in the Popol Vuh makes direct references to ballgames and human sacrifice." During excavations at Dzibanché, archaeologists discovered a ball court, which is similar to those found in all Maya cities and was likely intended for a ritual and quite violent game.


The Maya built one of the most powerful empires in the world. The ancient Maya civilization conquered the territories of Belize, Guatemala, southeastern Mexico, and some regions of Honduras and El Salvador. Behind the Maya's impressive power lies a series of secrets, customs, traditions, and spiritual and cultural practices that conceal the true origin of their great influence. Hundreds of archaeologists are dedicated to uncovering treasures that explain the true essence of Maya society.

As construction continues on the Maya Train, the National Institute of Anthropology and History (INAH) has unearthed numerous artifacts related to the Maya civilization. To this day, archaeologists are finding buildings of this great civilization. The discoveries at Dzibanché not only shed light on the Kaanu'l dynasty but also contribute to the broader understanding of Maya history and culture.

The constructions were used to reaffirm the rulers' importance, both physical and divine. Each of the three reliefs offers a vision of the mythological and celestial beliefs that motivated the Maya reign. The second relief emphasizes the intrinsic connection of the rulers with the figures they venerated. The third relief reinforces this connection and delves into the esoteric union through the use of mythological animals and constellations.

When the Spaniards reached the region, the Maya high culture had long since passed its peak. However, the recent discoveries at Dzibanché provide new clues about the power of the Kaanu'l dynasty and the complexities of Maya civilization. The invaluable importance of these designs lies in what they represent: scenes of the powerful Kaanu'l dynasty, offering a deeper understanding of their influence and legacy.

 

 

 

 

 

 

 

 

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Archaeological discovery reveals hidden history of Mayan “Snake Kings” - The Jerusalem Post

 

 

 

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Tikal: The largest Mayan city ever built

 

 

 

 

 

 

 

 

 

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Another Megalithic Wall? - KEWEENAW WALL, MI

 

 

 

 

 

 

 

 

 

 

 

 

Finally made it thanks to my new friends Jeff & Andrew! We got to talking about it on the recent Peru Tour, hooked up & made it happen! Huge thanks to the both of them for lugging me thru the Michigan woods!

 

 

 

 

 

 

 

 

 

 

 

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Keweenah walls: More ancient Americas?

 

 

 

 

 

 

 

 

 

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https://www.youtube.com/shorts/iek5MTsGSwA?feature=share

 

 

 

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'Getting high' in Paleolithic hunting: Elevated positions enhance javelin accuracy but reduce atlatl efficiency

 

Some Paleolithic hunters benefited from 'getting high,' while others did not
The experimental set up used a scissor lift to elevate participants to 3 m, 6 m, and 9 m above the target (the flat foam sheet on the ground). Here, Eren uses the atlatl; the javelin was also launched from the same heights. Credit: Journal of Archaeological Science: Reports (2024). DOI: 10.1016/j.jasrep.2024.104785

A recent experimental study led by Kent State University and the Cleveland Museum of Natural History suggests that hunting from elevated positions significantly increases the performance of thrown javelins while potentially decreasing the effectiveness of atlatl-thrown darts.

The research explores how topographic relief may have influenced weapon selection and hunting strategies during the Paleolithic era. It suggests that carefully considering landscape features could help explain why certain technological choices were made.

Paleolithic hunters often inhabited landscapes with significant topographic features such as cliffs, arroyos, canyons and valleys. Archaeological evidence from sites like Solutré in France and the Folsom site in New Mexico suggests that early humans worldwide used natural formations to trap and kill large game animals.

At the Rock of Solutré, hunters are believed to have driven herds of migrating horses into a cul-de-sac formed by the southern cliff face before hunting them in the confined area.

The Folsom site showed similar signs of Paleo-Indian hunters using tributary channels flanked by three-meter-high sides and cliff walls up to eight meters high to trap and kill bison.

The tactical use of topographic elevations in Paleolithic hunting may have influenced where these hunters made their homes, according to previous research, favoring locations near specific landforms that would have been useful in making corralled kills. The elevated positions would also have been much safer for the hunters, keeping them out of reach of retaliatory hoof and horn strikes.

The study, "The gravity of Paleolithic hunting," published in the Journal of Archaeological Science: Reports, investigates whether elevated hunting positions could have further enhanced hunting efficiency by leveraging gravity to improve projectile weapon performance. The experiment assessed the velocity and kinetic impact energy of two ancient projectile weapons: the thrown javelin and the atlatl (a projectile-launching stick) with a long dart.

Some Paleolithic hunters benefited from 'getting high,' while others did not
Kim throws the javelin at the foam target from a 3 m launch height (left). Bebber records Kim’s javelin launch from the ground (right). Credit: Journal of Archaeological Science: Reports (2024). DOI: 10.1016/j.jasrep.2024.104785

Two study authors, Nam Kim, University of Wisconsin-Madison, and Metin I. Eren, Kent State University, were tasked with launching each weapon type from four different heights: ground level, 3 meters, 6 meters, and 9 meters. The duo used a scissor lift to reach the elevated positions.

The weapons tested included Turbojav training javelins, measuring 182 cm (approximately 6 feet) in length and weighing 800 grams, and Basketmaker-style atlatls with darts 213 cm (approximately 7 feet) long and weighing 200 grams.

Each tester conducted ten launches per weapon type at each height, totaling 160 launches. Using a high-speed camera recording at 4,000 frames per second, the researchers measured the velocity over the last 0.8 meters before impact and calculated the kinetic impact energy.

Results showed that velocity and kinetic energy increased with launch height for the thrown javelin. Eren's javelin velocity rose from 11.46 meters per second at ground level to 16.20 meters per second at 9 meters, a 41.4% increase. Kim's javelin velocity increased from 12.55 meters per second to 16.79 meters per second, a 33.8% rise. The kinetic impact energy of the javelin doubled for Eren and increased by 78.7% for Kim at the highest elevation.

Unexpectedly, the atlatl and dart showed decreased performance with increased elevation. As the launch height increased, both testers experienced a drop in velocity and kinetic impact energy. Biomechanical limitations and projectile stability may explain the decline. Launching darts downward could hinder the atlatl's lever action as the dart might not remain as firmly seated.

Atlatl darts showed higher velocities than javelins when both were launched horizontally from the ground level, giving the atlatl the hunting advantages in flat, open environments. The presence of trees or elevated terrain permitting a hunter to hunt from above would make the javelin the deadlier choice.

The findings imply that Paleolithic hunters may have found hand-thrown javelins more advantageous than the lever-launched atlatls in terrains with significant elevations. This could provide insights into why some Paleolithic populations did not adopt the atlatl, as it may have lacked effectiveness in their hunting environments.

While a thrown spear can be interpreted as less advanced technology than the atlatl, inferring anything about the spear throwers requires a contextual understanding of which hunting strategy benefited them most. A toaster is a far more advanced technology than a wooden spear, but if survival depends on using one of them to take down a bison, the choice should be clear.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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'Getting high' in Paleolithic hunting: Elevated positions enhance javelin accuracy but reduce atlatl efficiency

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Archaeologists unearth stunning Maya murals and reliefs at Dzibanché

 
 

Archaeologists with Mexico’s National Institute of Anthropology and History (INAH) at the ancient Maya city of Dzibanché have unearthed three stucco reliefs that depict scenes of the powerful Kaanu’l (or Snake) dynasty. Located in Quintana Roo, Mexico, Dzibanché—an early center for the Maya civilization dating back to 300 BCE—served as the initial stronghold of the Kaanu’l rulers, who later expanded their influence to vast regions in present-day Mexico, Belize, and Guatemala.

 

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An archaeologist cleans facade with reliefs found at Dzibanche, Mexico. Credit: INAH

The new findings, which date to the Early Classic period (500-600 CE), were discovered on two platforms west of the site’s Ball Game II court, a ceremonial space for the Maya ballgame, an activity combining athleticism and ritual devotion. These platforms, each approximately 10 by 5 feet, display the first stucco reliefs ever uncovered on Dzibanché’s ballcourt, which archaeologists believe were meant to reinforce the dynasty’s authority.

Sandra Balanzario Granados, head of the INAH’s Archaeological Site Improvement Program (Promeza) at Dzibanché, described the discovery as a breakthrough: “Although we had found stucco reliefs on larger buildings, we would never have thought of finding such decorated façades on a ball court with such profound meanings as these ones apparently have,” she explained.

Each of the three relief scenes offers a glimpse into the mythological and celestial beliefs of the Kaanu’l dynasty. The first relief features two figures standing guard beside a pedestal, originally intended to support a sculpture, with symbols referencing a Kaanu’l ruler. The second scene depicts ancestral figures in a cosmic setting, surrounded by stars and intertwining serpents—motifs that reflect the Kaanu’l’s divine connection as rulers.

 

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Relief depicting enthroned figure. Credit: INAH

Epigrapher Alexander Tokovinine noted the striking blend of Maya and Teotihuacán iconography, particularly the serpent symbolism, which underscored the dynasty’s claim to a godly lineage. The third panel portrays a series of mythological animals linked to constellations, further emphasizing the rulers’ divine right and their cosmological power.

The prominence of intertwined snakes—a recurring theme across the reliefs—is especially significant, as it represents the “Snake” lineage of the Kaanu’l dynasty, affirming their place as divine intermediaries between the gods and the people. In pre-Hispanic Maya culture, rulers were often regarded as earthly representatives of the gods, and the Kaanu’l rulers viewed themselves as descendants of celestial beings. According to INAH, “This representation of intertwined snakes indicates that we are looking at images with which the rulers of Dzibanché sought to reaffirm their ancestry or lineage.”

 

Archaeologists unearth stunning Maya murals and reliefs at Dzibanché 300w, 1024w, 768w, 150w, 750w, 1140w" data-sizes="(max-width: 1280px) 100vw, 1280px" data-pin-no-hover="true" data-ll-status="loaded" />
A relief featuring mythological animals discovered at the site. Credit: INAH

The stucco reliefs, crafted from a mixture called sascab (a lime-based mortar common in Maya construction), still retain traces of red, blue, yellow, and black paint. However, centuries of exposure to the elements have eroded much of their vibrant colors. To preserve these artifacts, the archaeological team is employing advanced photogrammetry to create detailed models, ensuring that these intricate designs are documented accurately for future research.

This discovery is part of a broader research effort funded by the INAH and the ongoing Mayan Train project, an initiative aimed at connecting archaeological sites across the Yucatán Peninsula. Since 2023, a 100-person team has worked extensively at Dzibanché, uncovering relics of Maya civilization and restoring important structures, including the Temple of the Owl, the Temple of the Cormorants, and sections of the acropolis.

 

 

 

 

 

 

 

 

 

 

 

 

 

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Archaeologists unearth stunning Maya murals and reliefs at Dzibanché | ArchaeologyNews Online Magazine

 

 

 

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I Found an Ancient Fortress/Temple in Peru Using Google Earth and Verified It

 

 

 

 

 

 

 

 

 

Saw this unlabeled/unmarked structure on Google Earth in Peru - so I went to the Casma-Sechin valley to check it out. My hunch was confirmed by the local family living at the base of the structure and sending the drone up there to check things out!

 

 

 

 

 

 

 

 

 

 

 

 

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