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The Strangest Structures of Ancient Peru

 

 

 

 

 

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(24) The Strangest Structures of Ancient Peru - YouTube

 

 

 

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Unknown methods of stone processing in ancient Peru

 

 

 

 

 

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(24) Unknown methods of stone processing in ancient Peru - YouTube

 

 

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12 Absolutely Amazing Artifacts of the Inca

 

The Inca Empire was the largest empire in pre-Columbian America. From their capital, Cuzco, in the central Peruvian Andes, the empire stretched over 2,400 miles (3860 kilometers) along the length of the Andes (modern-day Bolivia and Peru to Argentina, Chile, Ecuador and Colombia), and was home to 12 million people in the 1400s and early 1500s, hosting various languages, impressive cities, temples, massive road networks, engineering terraces, and grand fortresses. They also produced extraordinary artifacts – from ornate headdresses, golden figures and ceremonial knives, to handbags, textiles and baby slings. Here we look at some of their finest productions.

 

 
 
 
 

An Inca handbag made of cotton and feathers, 15th – early 16th century, Peru. (Metropolitan Museum of Art / Public Domain)

An Inca handbag made of cotton and feathers, 15th – early 16th century, Peru. (Metropolitan Museum of Art/ Public Domain)

 

Inca headdress made of hair, cloth, and feathers depicting a sea creature motif. Produced 1400 – 1532 AD. Excavated from Huacho, Peru. (Trustees of the British Museum / CC by SA 4.0)

Inca headdress made of hair, cloth, and feathers depicting a sea creature motif. Produced 1400 – 1532 AD. Excavated from Huacho, Peru. (Trustees of the British Museum/ CC by SA 4.0)

 

An Inca baby sling made from camelid hair, 1450 – 1532 AD, Peru (Metropolitan Museum of Art / Public Domain)

An Inca baby sling made from camelid hair, 1450 – 1532 AD, Peru (Metropolitan Museum of Art/ Public Domain)

 

An Inca ceremonial knife (Tumi), used to carry out sacrifices and surgeries. Public Domain

An Inca ceremonial knife (Tumi), used to carry out sacrifices and surgeries. Public Domain

 

An Inca handbag made of camelid hair and cotton, 15th–16th century, Peru. (Metropolitan Museum of Art / Public Domain)

An Inca handbag made of camelid hair and cotton, 15th–16th century, Peru. (Metropolitan Museum of Art/ Public Domain)

 

An Inca cap woven with human and camelid hair, 14th–16th century, Peru.  (Metropolitan Museum of Art / Public Domain)

An Inca cap woven with human and camelid hair, 14th–16th century, Peru.  (Metropolitan Museum of Art/ Public Domain)

 

An Inca vessel in the shape of a leg, 15th–16th century, Peru. (Metropolitan Museum of Art / Public Domain)

An Inca vessel in the shape of a leg, 15th–16th century, Peru. (Metropolitan Museum of Art/ Public Domain)

 

Inca female figurine made of gold and silver, 1400–1533 AD. The details of the figurine would have been hammered into the metal sheet before the figure itself was fully formed. (Metropolitan Museum of Art / Public Domain)

Inca female figurine made of gold and silver, 1400–1533 AD. The details of the figurine would have been hammered into the metal sheet before the figure itself was fully formed. (Metropolitan Museum of Art/ Public Domain)

 

Inca tapestry panel with stars, made with camelid hair and cotton, 15th–16th century, Peru. (Metropolitan Museum of Art / Public Domain)

Inca tapestry panel with stars, made with camelid hair and cotton, 15th–16th century, Peru. (Metropolitan Museum of Art/ Public Domain)

 

A cotton quipu with knotted cords, 1430-1530 AD. Excavated from Pacasmayo Valley, Peru (Trustees of the British Museum / CC by SA 4.0). Quipus were recording devices used by the Inca to aid in monitoring tax obligations, collecting census records, providing calendrical information, and military organization. The cords contained numeric and other values encoded by knots in a base ten positional system.

A cotton quipu with knotted cords, 1430-1530 AD. Excavated from Pacasmayo Valley, Peru (Trustees of the British Museum/ CC by SA 4.0). Quipus were recording devices used by the Inca to aid in monitoring tax obligations, collecting census records, providing calendrical information, and military organization. The cords contained numeric and other values encoded by knots in a base ten positional system.

 

An Inca gold mask representing the sun god Inti from the La Tolita part of the Inca empire. (Andrew Howe / CC by SA)

An Inca gold mask representing the sun god Inti from the La Tolita part of the Inca empire. (Andrew Howe / CC by SA)

Top image: Gold Inca mask. Source: Carlos Santa Maria/ Adobe Stock

By Joanna Gillan

 

 

 

 

 

 

 

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12 Absolutely Amazing Artifacts of the Inca | Ancient Origins (ancient-origins.net)

 

 

 

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Explorer makes historic Inca discovery in Ollantaytambo, Peru

 

 

 

 

 

Narrator mentioned in the video (1:39) that Pumamarca structure appears to be in a shape of a falcon or a condor.

 

 

 

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Pumamarca, Peru

 

 

 

 

 

 

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(27) Explorer makes historic Inca discovery in Ollantaytambo, Peru - YouTube

 

 

 

 

 

 

 

 

 

We Explore the Ancient Inca Ruins of Puma Marca - Ollantaytambo, Peru

 

 

 

 

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(27) We Explore the Ancient Inca Ruins of Puma Marca - Ollantaytambo, Peru - YouTube

 

 

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Amateur archaeologist uncovers ice age ‘writing’ system

 

‘Lunar calendar’ found in caves may predate equivalent record-keeping systems by at least 10,000 years

 

Cave art in Lascaux.
Cave art in Lascaux. Some markings appeared to record the mating cycles of local animals. Photograph: Patrick Aventurier/Getty
 

A primitive writing system used by ice age hunter-gatherers appears to have been uncovered by an amateur archaeologist, who concluded that the 20,000-year-old markings were a form of lunar calendar.

The research suggests cave drawings were not only a form of artistic expression but also used to record sophisticated information about the timing of animals’ reproductive cycles.

 

Ben Bacon spent countless hours trying to decode the “proto-writing” system, which is believed to predate other equivalent record-keeping systems by at least 10,000 years.

He approached a team of academics with his theory and they encouraged him to pursue it, despite him being “effectively a person off the street”, he said.

Bacon collaborated with a team, including two professors from Durham University and one from University College London, to publish a paper in the Cambridge Archaeological Journal.

Prof Paul Pettitt, an archaeologist at Durham University, said he was “glad he took it seriously” when Bacon contacted him. “The results show that ice age hunter-gatherers were the first to use a systemic calendar and marks to record information about major ecological events within that calendar,” he said.

Cave paintings of species such as reindeer, fish and now extinct cattle called aurochs and bison have been found across Europe. Alongside these images, sequences of dots and other marks have been found in more than 600 ice age images on cave walls and portable objects across Europe. Archaeologists have long believed these markings had meaning but no one had deciphered them.

Bacon set out to decode these, accessing previous research and cave art imagery at the British Library and searching for recurrent patterns, saying that it was “surreal” to be figuring out what people were saying 20,000 years ago.

By using the birth cycles of equivalent animals today as a reference point, the team deduced that the number of marks associated with ice age animals were a record, by lunar month, of when they were mating. They believe the inclusion of a “Y” sign, formed by adding a diverging line to another, meant “giving birth”.

 

Pettitt said: “We’re able to show that these people – who left a legacy of spectacular art in the caves of Lascaux and Altamira – also left a record of early timekeeping that would eventually become commonplace among our species.”

Since the marks are thought to be recording information numerically rather than recording speech, they are not considered to be “writing” in the sense of the pictographic and cuneiform systems that emerged in Sumer from 3,400 BC onwards but are classed as a proto-writing system.

 

 

Bacon said the work made the people responsible for the drawings feel “suddenly a lot closer”. “As we probe deeper into their world, what we are discovering is that these ancient ancestors are a lot more like us than we had previously thought,” he said.

The findings have encouraged the team to carry out further research on the meaning of other markings found in cave drawings.

“What we are hoping, and the initial work is promising, is that unlocking more parts of the proto-writing system will allow us to gain an understanding of what information our ancestors valued,” Bacon said.

 

 

 

 

 

Article

 

Amateur archaeologist uncovers ice age ‘writing’ system | Archaeology | The Guardian

 

 

 

 

 

 

 

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